Biography Buddy Rich
Bernard "Buddy" Rich (September 30 1917 Brooklyn, New York – April 2 1987) was an American jazz drummer and bandleader. Rich was billed as "the world's greatest drummer"Yanow, Scott. "Buddy Rich", All Music Guide ( link) Accessed 2007 August 31 and was known for his virtuoso technique, power, and speed.
He first played jazz in 1937 with Joe Marsala's group, then played with Bunny Berigan (1938) and Artie Shaw (1939). In 1939, Rich taught drums to the young Mel Brooks, and persuaded Artie Shaw to allow a 13-year-old Brooks to attend Shaw's recording sessions in Manhattan.
In addition to Tommy Dorsey (1939–1942, 1945, 1954–1955), where Rich met and performed with Frank Sinatra, Rich also played with Benny Carter (1942), Harry James (1953-1956–1962, 1964, 1965), Les Brown, Charlie Ventura, and Jazz at the Philharmonic, as well as leading his own band and performing with all-star groups.
Beginning in 1962, he was also a frequent guest on Johnny Carson's Tonight Show. For most of the period from 1966 until his death, he led a successful big band in an era when the popularity of big bands had waned from their 1930s and 40s peak.
One of his most seen television performances was in a 1981 episode [1] of The Muppet Show, where he engaged Muppet drummer "Animal" (played by Ronnie Verrell) in a drum battle. Rich won handily, infuriating Animal so much that he broke a drum over Rich's head.
He often used contrasting techniques to keep long drum solos from getting mundane. Aside from his energetic explosive displays, he would also go into quieter passages. One passage he would use in most solos starts with a simple single-stroke roll on the snare picking up speed and power, then slowly moving his sticks closer to the rim as he gets quieter and then eventually playing on just the rim itself while still maintaining speed. Then he would reverse the effect and slowly move towards the center of the snare while increasing power.
Another technique he used that very few drummers have been able to perfect is called the "stick-trick" where he does a very fast roll just by slapping his two sticks together in a circular motion.
In 1942, Rich and drum teacher, Henry Adler, co-authored the classic instructional book "Buddy Rich's Modern Interpretation of Snare Drum Rudiments," widely regarded as one of the more popular snare-drum rudiment books ever written, mainly because of the Buddy Rich imprimatur.
One of Adler's former students introduced Adler to Rich. "The kid told me Buddy played better than [2] Krupa. Buddy was only in his teens at the time and his friend was my first pupil. Buddy played and I watched his hands. Well, he knocked me right out. He did everything I wanted to do, and he did it with such ease. When I met his folks, I asked them who his teacher was. 'He never studied,' they told me. That made me feel very good. I realized that it was something physical, not only mental, that you had to have."
In a 1985 interview, Adler clarified the extent of his teacher-student relationship to Rich and their collaboration on the classic instructional book:
"I had nothing to do with rumor that I taught Buddy how to play. That was a result of Tommy Dorsey's introduction to the Buddy Rich book," Adler said. "I used to go around denying it, knowing that Buddy was a natural player. Sure, he studied with me, but he didn't come to me to learn how to hold the drumsticks. I set out to teach Buddy to read. He'd take six lessons, go on the road for six weeks and come back. He didn't have time to practice."
"Tommy Dorsey wanted Buddy to write a book and he told him to get in touch with me. I did the book and Tommy wrote the foreword. Technically, I was Buddy's teacher, but I came along after he had already acquired his technique."
Known as Rich's most popular arrangement, the West Side Story medley is considered by many as one of the most complex and difficult-to-perform big-band arrangements written. Penned by Bill Reddie, Rich received this arrangement of Leonard Bernstein's melodies from the famed musical in the mid-60s and found it to be very challenging even for him. It consists of many rapid-fire time changes and signatures and took almost a month of constant rehearsals to perfect. It has since become a staple in all his performances clocking in at various lengths from seven to fifteen minutes. Bernstein himself has had nothing but praise for it. In 2002, a DVD was released called "The Lost West Side Story Tapes" that captured a 1985 performance of this along with other numbers.Bowers, Jack. "Buddy Rich: The Lost Tapes", All About Jazz ( link) 2005 December 9. Accessed 2007 June 27 These tapes were thought to be lost in a fire.
These recordings, long circulated in bootleg form, have done much to fuel the reputation of Rich's personality. The tapes were popular with comedians Jerry Seinfeld and Larry David, who used three quotes from them more or less verbatim on Seinfeld:
On one recording, Rich can be heard attempting to fire Dave Panichi, a trombonist in his band, for wearing a beard. Audio tape recording of Buddy Rich tirade - Transcription by Ientilucci, Emmett J. "Buddy Rich: World's Greatest Drummer, Act 4" ( link). Accessed 2007 July 20
In the early 1970s he commented upon how odious he found the emerging American boy band, The Osmonds, especially Donny Osmond. Later, he sometimes wore a Donny Osmond badge on his lapel while performing.
Buddy Rich held a black belt in Karate, as mentioned in a CNN television interview with Larry King, c. 1985.
Since Rich's death, a number of memorial concerts have been held. In 1994, the Rich tribute album A Tribute to the Music of Buddy Rich was released. Produced by Rush drummer/lyricist Neil Peart, the album features performances of Rich live staples by a number of famous rock and jazz drummers, such as Kenny Aronoff, Dave Weckl, and Steve Gadd, accompanied by the Buddy Rich Big Band. A second volume was issued in 1997.
In "Weird Al" Yankovic's song Close but no Cigar on the album Straight Outta Lynwood, he says his "heart was beating like a Buddy Rich solo".
In the TV show "Freaks and Geeks" Harold Wier plays Nick Andopolis a record of drumming, when asked "How'd you hear about him?" he responds "You kidding? These guys, I grew up with Gene Krupa and Buddy Rich".
In the film School Of Rock, the famous "drum-off" between Buddy and Ed Shaughnessy is shown while Freddy is watching drum videos.
In The Muppet Show, Animal and Buddy Rich faced off in a drum battle to see which one was the better drummer.
1917 births1987 deathsAmerican jazz drummersDrummersJazz bandleadersMainstream jazz drummersBebop drummersJewish American musiciansSwing drummersBig band drummersVaudeville performersDeaths from cardiovascular diseaseBrain cancer deaths
Buddy RichBuddy RichBuddy RichBuddy RichBuddy Rich???????Buddy RichBuddy RichBuddy RichBuddy RichBuddy RichBuddy RichBuddy Rich
Early life
Rich was born to vaudevillian Robert and Bess Rich.Harrison, Joyce. "Buddy Rich Biography", musicianguide.com, link Accessed 2007 December 3 His talent for rhythm was first noted by his father, who saw that Buddy could keep a steady beat with spoons at the age of one. He began playing drums in vaudeville when he was 18 months old, billed as "Traps the Drum Wonder". At the peak of Rich's childhood career, he was reportedly the second-highest paid child entertainer in the world (after Jackie Coogan). At 11 he was performing as a bandleader. He received no formal drum instruction, and went so far as to claim that instruction would only degrade his musical talent. He also never admitted to practicing, claiming to play the drums only during performances. He expressed great admiration for, and was influenced by, the playing of Chick Webb, Gene Krupa, Dave Tough, and Jo Jones, among others.He first played jazz in 1937 with Joe Marsala's group, then played with Bunny Berigan (1938) and Artie Shaw (1939). In 1939, Rich taught drums to the young Mel Brooks, and persuaded Artie Shaw to allow a 13-year-old Brooks to attend Shaw's recording sessions in Manhattan.
In addition to Tommy Dorsey (1939–1942, 1945, 1954–1955), where Rich met and performed with Frank Sinatra, Rich also played with Benny Carter (1942), Harry James (1953-1956–1962, 1964, 1965), Les Brown, Charlie Ventura, and Jazz at the Philharmonic, as well as leading his own band and performing with all-star groups.
Big band success and later life
In October 1944, at the Paramount Theater Rich mentioned to Sinatra that he was interested in starting his own band. Sinatra took out his checkbook and wrote him a check for $40,000 and said "Good Luck. This'll get you started."Beginning in 1962, he was also a frequent guest on Johnny Carson's Tonight Show. For most of the period from 1966 until his death, he led a successful big band in an era when the popularity of big bands had waned from their 1930s and 40s peak.
One of his most seen television performances was in a 1981 episode [1] of The Muppet Show, where he engaged Muppet drummer "Animal" (played by Ronnie Verrell) in a drum battle. Rich won handily, infuriating Animal so much that he broke a drum over Rich's head.
Drumming technique
Rich's drumming technique has been one of the most standardized and coveted techniques in the drumming field. His dexterity, speed and smooth execution have been considered "Holy Grails" among drummers. While Rich typically held his sticks using what is known as "traditional grip," he was also a highly skilled "match grip" player, and was one of few drummers to master the so-called "one-handed roll" on both hands. Some of his more spectacular moves are his "crossover" riffs, where he would criss-cross his arms from one drum to another, sometimes over the arm, and even under the arm at great speed.He often used contrasting techniques to keep long drum solos from getting mundane. Aside from his energetic explosive displays, he would also go into quieter passages. One passage he would use in most solos starts with a simple single-stroke roll on the snare picking up speed and power, then slowly moving his sticks closer to the rim as he gets quieter and then eventually playing on just the rim itself while still maintaining speed. Then he would reverse the effect and slowly move towards the center of the snare while increasing power.
Another technique he used that very few drummers have been able to perfect is called the "stick-trick" where he does a very fast roll just by slapping his two sticks together in a circular motion.
In 1942, Rich and drum teacher, Henry Adler, co-authored the classic instructional book "Buddy Rich's Modern Interpretation of Snare Drum Rudiments," widely regarded as one of the more popular snare-drum rudiment books ever written, mainly because of the Buddy Rich imprimatur.
One of Adler's former students introduced Adler to Rich. "The kid told me Buddy played better than [2] Krupa. Buddy was only in his teens at the time and his friend was my first pupil. Buddy played and I watched his hands. Well, he knocked me right out. He did everything I wanted to do, and he did it with such ease. When I met his folks, I asked them who his teacher was. 'He never studied,' they told me. That made me feel very good. I realized that it was something physical, not only mental, that you had to have."
In a 1985 interview, Adler clarified the extent of his teacher-student relationship to Rich and their collaboration on the classic instructional book:
"I had nothing to do with rumor that I taught Buddy how to play. That was a result of Tommy Dorsey's introduction to the Buddy Rich book," Adler said. "I used to go around denying it, knowing that Buddy was a natural player. Sure, he studied with me, but he didn't come to me to learn how to hold the drumsticks. I set out to teach Buddy to read. He'd take six lessons, go on the road for six weeks and come back. He didn't have time to practice."
"Tommy Dorsey wanted Buddy to write a book and he told him to get in touch with me. I did the book and Tommy wrote the foreword. Technically, I was Buddy's teacher, but I came along after he had already acquired his technique."
The West Side Story Medley
His most popular performance was a big band arrangement of a medley derived from the Leonard Bernstein classic West Side Story, first released on the 1966 album Buddy Rich's Swingin' New Big BandKnown as Rich's most popular arrangement, the West Side Story medley is considered by many as one of the most complex and difficult-to-perform big-band arrangements written. Penned by Bill Reddie, Rich received this arrangement of Leonard Bernstein's melodies from the famed musical in the mid-60s and found it to be very challenging even for him. It consists of many rapid-fire time changes and signatures and took almost a month of constant rehearsals to perfect. It has since become a staple in all his performances clocking in at various lengths from seven to fifteen minutes. Bernstein himself has had nothing but praise for it. In 2002, a DVD was released called "The Lost West Side Story Tapes" that captured a 1985 performance of this along with other numbers.Bowers, Jack. "Buddy Rich: The Lost Tapes", All About Jazz ( link) 2005 December 9. Accessed 2007 June 27 These tapes were thought to be lost in a fire.
Personality
Although Rich was usually a helpful and friendly man, he was also known to have a short temper. In many instances, he took advantage of the high respect he commanded. While he threatened many times to fire members of his band, he seldom actually did so, and for the most part he lauded his band members during television and print interviews. Rich's quick temper, mercurial attitude, and imposing personality are attested to in secret recordings members of his band made of some of his tantrums on tour buses and backstage.These recordings, long circulated in bootleg form, have done much to fuel the reputation of Rich's personality. The tapes were popular with comedians Jerry Seinfeld and Larry David, who used three quotes from them more or less verbatim on Seinfeld:
- "If I have to tell you again, we're gonna take it outside and I'm gonna show you what it's like!" ("The Opposite")
- "This guy - this is not my kind of guy." ("The Understudy")
- "Then let's see how he does, up there, without all the assistance!" ("The Butter Shave")
On one recording, Rich can be heard attempting to fire Dave Panichi, a trombonist in his band, for wearing a beard. Audio tape recording of Buddy Rich tirade - Transcription by Ientilucci, Emmett J. "Buddy Rich: World's Greatest Drummer, Act 4" ( link). Accessed 2007 July 20
In the early 1970s he commented upon how odious he found the emerging American boy band, The Osmonds, especially Donny Osmond. Later, he sometimes wore a Donny Osmond badge on his lapel while performing.
Buddy Rich held a black belt in Karate, as mentioned in a CNN television interview with Larry King, c. 1985.
Death and legacy
Buddy Rich remained active until the end of his life, appearing with his Big Band on Michael Parkinson's British talk show Parkinson only a few weeks prior to his death. In the episode, Parkinson kidded Rich about his Donny Osmond kick, by claiming that Rich was the president of Osmond's fan club. Reportedly, prior to heart surgery, when asked by a nurse if he was allergic to anything he replied, "Yes ... country music!" Days before he died, he was visited by Mel Tormé, who claims that one of Buddy's last requests was "to hear the tapes" that featured his angry outbursts. It is reported that Tormé did play the tapes in the hospital room. At the time, Tormé was working on an authorized biography of Rich which was later released after Rich's death, titled "Traps, The Drum Wonder: The Life of Buddy Rich". On April 2, 1987, Rich died of heart failure following surgery for a malignant brain tumor. He is interred in the Westwood Village Memorial Park Cemetery in Los Angeles, California.Since Rich's death, a number of memorial concerts have been held. In 1994, the Rich tribute album A Tribute to the Music of Buddy Rich was released. Produced by Rush drummer/lyricist Neil Peart, the album features performances of Rich live staples by a number of famous rock and jazz drummers, such as Kenny Aronoff, Dave Weckl, and Steve Gadd, accompanied by the Buddy Rich Big Band. A second volume was issued in 1997.
Buddy Rich and popular culture
One line of the popular Beastie Boys' song Sabotage reads "I'm Buddy Rich when I fly off the handle". This could be in reference to either Rich's aforementioned temper or his drumming speed capabilities.In "Weird Al" Yankovic's song Close but no Cigar on the album Straight Outta Lynwood, he says his "heart was beating like a Buddy Rich solo".
In the TV show "Freaks and Geeks" Harold Wier plays Nick Andopolis a record of drumming, when asked "How'd you hear about him?" he responds "You kidding? These guys, I grew up with Gene Krupa and Buddy Rich".
In the film School Of Rock, the famous "drum-off" between Buddy and Ed Shaughnessy is shown while Freddy is watching drum videos.
In The Muppet Show, Animal and Buddy Rich faced off in a drum battle to see which one was the better drummer.
Biography
- Mel Tormé, 1991. Traps, The Drum Wonder: The Life of Buddy Rich.
- Doug Meriwether, 1998. Mister, I Am the Band: Buddy Rich -- His Life and Travels
References
External links
Henry Adler, Buddy Rich teacher and co-author- (Discography and brief biography)
1917 births1987 deathsAmerican jazz drummersDrummersJazz bandleadersMainstream jazz drummersBebop drummersJewish American musiciansSwing drummersBig band drummersVaudeville performersDeaths from cardiovascular diseaseBrain cancer deaths
Buddy RichBuddy RichBuddy RichBuddy RichBuddy Rich???????Buddy RichBuddy RichBuddy RichBuddy RichBuddy RichBuddy RichBuddy Rich
Source: http://en.wikipedia.org/wiki/Buddy Rich
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Links
http://www.sonorika.com/buddyrich/biographyhttp://www.bioandlyrics.com/buddyrich
