François-Bernard Mâche (born April 4, 1935 Clermont-Ferrand) is a French
composer of contemporary music. He is a former student of Émile Passani
and Olivier Messiaen and has also received a diploma in Greek archaeology
(1957) and a teaching certificate (Agrégation de Lettres classiques,
1958). He has composed electroacoustic, orchestral, chamber, choral, vocal
and piano works. He has been a member of the Académie des Beaux-Arts since
2002 and occupies the chair of the late Iannis Xenakis. (Living Composers
Project [LINK: http://composers21.com/compdocs/machefb.htm] [1])
Mâche's Music, Myth and Nature, or The Dolphins of Arion (Musique, mythe,
nature, ou les Dauphins d'Arion) (1983, 1992 ISBN 3718653214), which as a
whole argues for a return in composition to mythic thought, includes a
study of "ornitho-musicology" using a technique of Nicolas Ruwet's
Language, musique, poésie (1972) paradigmatic segmentation a
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Francois-Bernard Mache,
Francois-Bernard Mache similar music
Links
http://www.sonorika.com/francoisbernardmache
http://www.bioandlyrics.com/francoisbernardmachehttp://www.sonorika.com/francoisbernardmache
http://www.bioandlyrics.com/francoisbernardmacheUlrich Leyendecker,
Yasuji Kiyose,
Marguerite Monnot,
L. Wolfe Gilbert,
G. W. E. Friedrich,
Earl Warren,
Xang Lan,
Dan Welcher,
Will Hudson,
David Stock,
Eric Ansell,
Ray Gilbert,
Kevin Tulius,
Dejan Terzic,
Howard Flynn,
Rick Robertson,
Herman Bemberg,
Humiwo Hayasaka,
Riccardo Drigo,
Girolamo Cavazzoni,
Richard Barthelemy,
Arthur A. Penn,