Biography Kokomo Arnold
Kokomo Arnold (15 February 1901–8 November 1968) was an American blues musician.
Born James Arnold in Lovejoy's Station, Georgia, Arnold received his nickname in 1934 after releasing "Old Original Kokomo Blues" for the Decca label; it was a cover of the Scrapper Blackwell blues song about the Kokomo brand of coffee.Entry at the African American Registry, retrieved November 15, 2007. A left-handed slide-guitarist, his intense slide style of playing and rapid-fire vocal style set him apart from his contemporaries.
Having learned the basics of the guitar from his cousin John WiggsBriggs, Keith, Kokomo Arnold, Complete Recorded Works Vol.1 (17 May 1930 to 15 March 1935, Document Records, 1991., Arnold began playing in the early 1920s as a sideline while he worked as a farmhand in Buffalo, New York, and as a steelworker in Pittsburgh. In 1929 he moved to Chicago and set up a bootlegging business, an activity he continued throughout Prohibition. In 1930 Arnold moved south briefly, and made his first recordings, "Rainy Night Blues" and "Paddlin' Madeline Blues", under the name Gitfiddle Jim for the Victor label in Memphis, Tennessee. He soon moved back to the bootlegging center of Chicago, though he was forced to make a living as a musician after the ratification of the Twenty-first Amendment to the United States Constitution ending Prohibition in 1933. Kansas Joe McCoy heard him and introduced him to Mayo Williams who was producing records for Decca.
From his first recording for Decca on 10 September 1934 until his last on 12 May 1938, Arnold made eighty-eight sides, seven of which remain lost. Along with Peetie Wheatstraw and Bumble Bee Slim, he was a dominant figure in Chicago blues circles. His major influence upon modern music is, along with Peetie Wheatstraw, upon the seminal Delta blues artist Robert Johnson, a musical contemporary. Johnson turned "Old Original Kokomo Blues" into "Sweet Home Chicago", while another Arnold song, "Sagefield Woman Blues", introduced the terminology "dust my broom", which Johnson used as a song title himself. Arnold's "Milk Cow Blues" was covered by Aerosmith on the 1977 album Draw The Line and became "Milkcow Blues Boogie", performed by Elvis Presley.
In 1938 Kokomo Arnold left the music business and began to work in a Chicago factory. Rediscovered by blues researchers in 1962, he showed no enthusiasm for returning to music to take advantage of the new explosion of interest in the blues among young white audiences.
He died of a heart attack in Chicago at the age of sixty-seven, and was buried in the Burr Oak Cemetery in Alsip, Illinois. Find a Grave website, retrieved November 15, 2007
1901 births1968 deathsAfrican American musiciansAmerican blues guitaristsAmerican blues musiciansAmerican blues singersChicago blues musiciansPeople from Georgia
Kokomo ArnoldKokomo ArnoldKokomo Arnold
Born James Arnold in Lovejoy's Station, Georgia, Arnold received his nickname in 1934 after releasing "Old Original Kokomo Blues" for the Decca label; it was a cover of the Scrapper Blackwell blues song about the Kokomo brand of coffee.Entry at the African American Registry, retrieved November 15, 2007. A left-handed slide-guitarist, his intense slide style of playing and rapid-fire vocal style set him apart from his contemporaries.
Having learned the basics of the guitar from his cousin John WiggsBriggs, Keith, Kokomo Arnold, Complete Recorded Works Vol.1 (17 May 1930 to 15 March 1935, Document Records, 1991., Arnold began playing in the early 1920s as a sideline while he worked as a farmhand in Buffalo, New York, and as a steelworker in Pittsburgh. In 1929 he moved to Chicago and set up a bootlegging business, an activity he continued throughout Prohibition. In 1930 Arnold moved south briefly, and made his first recordings, "Rainy Night Blues" and "Paddlin' Madeline Blues", under the name Gitfiddle Jim for the Victor label in Memphis, Tennessee. He soon moved back to the bootlegging center of Chicago, though he was forced to make a living as a musician after the ratification of the Twenty-first Amendment to the United States Constitution ending Prohibition in 1933. Kansas Joe McCoy heard him and introduced him to Mayo Williams who was producing records for Decca.
From his first recording for Decca on 10 September 1934 until his last on 12 May 1938, Arnold made eighty-eight sides, seven of which remain lost. Along with Peetie Wheatstraw and Bumble Bee Slim, he was a dominant figure in Chicago blues circles. His major influence upon modern music is, along with Peetie Wheatstraw, upon the seminal Delta blues artist Robert Johnson, a musical contemporary. Johnson turned "Old Original Kokomo Blues" into "Sweet Home Chicago", while another Arnold song, "Sagefield Woman Blues", introduced the terminology "dust my broom", which Johnson used as a song title himself. Arnold's "Milk Cow Blues" was covered by Aerosmith on the 1977 album Draw The Line and became "Milkcow Blues Boogie", performed by Elvis Presley.
In 1938 Kokomo Arnold left the music business and began to work in a Chicago factory. Rediscovered by blues researchers in 1962, he showed no enthusiasm for returning to music to take advantage of the new explosion of interest in the blues among young white audiences.
He died of a heart attack in Chicago at the age of sixty-seven, and was buried in the Burr Oak Cemetery in Alsip, Illinois. Find a Grave website, retrieved November 15, 2007
Notes
External links
- Illustrated Kokomo Arnold discography
- allmusic.com entry
- African American Registry entry
- Profile page for James Kokomo Arnold on the Find-A-Grave web site
1901 births1968 deathsAfrican American musiciansAmerican blues guitaristsAmerican blues musiciansAmerican blues singersChicago blues musiciansPeople from Georgia
Kokomo ArnoldKokomo ArnoldKokomo Arnold
Source: http://en.wikipedia.org/wiki/Kokomo Arnold
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Links
http://www.sonorika.com/kokomoarnold/biographyhttp://www.bioandlyrics.com/kokomoarnold
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