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Last Friday, I attended Metal Machine Manifesto—Music for 16 Intonarumori at the Yerba Buenca Cent
Last Friday, I attended Metal Machine Manifesto—Music for 16 Intonarumori at the Yerba Buenca Cent

]] with his assistant Ugo Piatti and their Intonarumori (noise machines)]]
Luigi Russolo (April 30, 1885 - February 4, 1947) was an Italian Futurist
painter and composer, and the author of the manifestoes The Art of Noises
(1913) and Musica Futurista.
Biography Russolo was born at Portogruaro, in the Veneto region, the son
of an organist in the local cathedral and director of the Schola Cantorum
of Latisana. His brothers were also musicians.
Russolo moved to Milan in 1901, frequenting the Brera Academy, and took
part to the restoration of Leonardo's Last Supper in Santa Maria delle
Grazie. In his first works Russolo applied the divisionist techniques to a
fantastic-symbolic view of subject related to the city or the industrial
society.
An adherent of the Futurism movement, he worked closely with futurist
Filippo Tommaso Marinetti.
On 11 March 1913 he published the treatise
Discography not available
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